Message from

Akihiro Yamamoto

Representative Director of Yamamoto Noh Theater Foundation

Yamamoto Noh Theater, quietly nestled in Osaka’s business district, is like a small sacred shrine in the city. It was founded in 1927 (Showa 2) by the late Hiroyuki Yamamoto. Though destroyed during the war, it was rebuilt in 1950 (Showa 25), and today stands with nearly 90 years of history. In 2006, it was designated a Registered Tangible Cultural Property of Japan by the Cultural Affairs Council.

The moment you step through its doors, you are transported into another world—far removed from the city’s bustle. Many first-time visitors are surprised by the theater’s distinct and serene atmosphere.

The audience seating (kensho) on both the first and second floors follows the traditional zashiki (tatami-mat) style, with some chairs available, creating a nostalgic and calming space. Many guests have told us, “This is my favorite stage.”

The kagami-ita (back panel) features an unusual perspective of an aged pine tree viewed from below, painted by artist Sōfū Matsuno. The stage itself is polished to a deep black sheen after years of use, and standing at its center, one can almost feel the warmth of those who performed here before.

The handrail of the hashigakari (bridgeway) is modeled after the North Stage of Nishi Hongan-ji Temple, and its gentle curve adds softness to the entire stage. From the second-floor tea room, the thick cypress bark roof of the stage can be viewed, adding to the theater’s architectural gravitas. Beneath the stage lie twelve large jars placed for acoustic resonance—a feature rarely seen in modern theaters but viewable here during tours.

Yamamoto Noh Theater, located in the heart of Osaka’s business district, is a theater with nearly 90 years of history. Designated as a Registered Tangible Cultural Property, it offers an immersive, otherworldly atmosphere. Rebuilt in 1950, the stage features polished black wood and a bridge modeled after Nishi Hongan-ji, embodying a deep sense of tradition and warmth.

The kensho (audience seating) is laid out in traditional tatami style. To enhance comfort and flexibility, we use a special type of collapsible chair known as the Tatameru Chair.

This innovative chair was originally designed by renowned Japanese architect Junzo Yoshimura (1908–1997), and developed in collaboration with architect Yoshifumi Nakamura and woodworking craftsman Yoshimasa Marutani. It was first made for the Yatsugatake Kogen Music Hall and released commercially in 1990.

The Tatameru Chair embodies the distinctly Japanese sensibility of “folding,” “storing,” and “taking out.” Lightweight and compact like a zabuton cushion, it is easy to fold and carry, fits in small spaces, and is exceptionally comfortable despite being a folding chair.

Featured on NHK’s Bi no Kyojin-tachi (Giants of Beauty), the Tatameru Chair is another unique aspect of your visit to Yamamoto Noh Theater—be sure to take a look!